Straight sides, modern foot, four sizes to scale.

Straight sides, modern foot, four sizes to scale.

The wrapped-glass technique in its most intimate form.

Straight sides, modern foot, four sizes to scale.

Every arm and texture of a starfish, cast in glass.

A flared rim inspired by Paul Revere’s silver bowl.

Freehand and fluid. No two are the same.

Details frozen in winter, flowing in summer.

A flared rim inspired by Paul Revere’s silver bowl.

A flared rim inspired by Paul Revere’s silver bowl.

Straight sides, modern foot, four sizes to scale.

Freehand and fluid. No two are the same.

The double-gathered optic effect, at an intimate scale.

Three flames, one vessel. The light multiplies.

Stacked glass spheres, each size one taller than the last.

Freehand and fluid. No two are the same.

Wider proportions that work for candles or a trifle.

Double-gathered glass that moves like water when lit.

Details frozen in winter, flowing in summer.

Clean-lined Ascutney hurricane. Part of our Seconds Collection.

Clean-lined Ascutney hurricane. Part of our Seconds Collection.

A flared rim inspired by Paul Revere’s silver bowl.

A hand-applied twist that catches light from every angle.

Lit from within, signed by the glassblower’s pontil mark.

Twisted Ascutney hurricane. Part of our Seconds Collection.

Details frozen in winter, flowing in summer.

A snow-globe glow from white speckles worked by hand.

Stacked glass spheres, each size one taller than the last.

A surface that makes light play, not just pass through.

A fine bubble texture, shifting with every flicker.

The oldest object in the room, done right in glass.

A crystalline glaze that grows its own pattern in the kiln.

Wide-rimmed hurricane for engraving or candlelight. Part of our Seconds Collection.

Stacked glass spheres, each size one taller than the last.

A crystalline glaze that grows its own pattern in the kiln.