Angular-yet-fluid rectangular glass vase. Part of our Seconds Collection.

Generous but balanced, shaped to let the wine speak.

Freehand and fluid. No two are the same.

Versatile, sturdy, and elegant in its simplicity.

The glass that makes dinner feel worth setting up properly.

Details frozen in winter, flowing in summer.

Two Ludlow glasses and a soapstone base. Cold without dilution.

Simple elegance, from the bar to the breakfast table.

A squared pitcher that holds its shape and its own.

The most minimal carafe in the our collection.

An all-purpose tumbler to use for everything.

Rounded handblown glass clock with precise timekeeping. A joyful desk piece.

The look of cut crystal, achieved in handblown glass.

Proportioned for ice, spirit, and a quiet evening.

Freehand and fluid. No two are the same.

Heart-rimmed bud vase. Part of our Seconds Collection.

Branches weighted down, like a tree after heavy snow.

The Echo Lake technique, now protecting your surface.

Sand dollar plate. Part of our Seconds Collection.

The most minimal carafe in the our collection.

Square geometry in glass, sized for two.

Flared Weston vase. Part of our Seconds Collection.

A drinking glass and a small sculpture, frozen in motion.

Ruffled rim vase. Part of our Seconds Collection.

The double-gathered optic effect, at an intimate scale.

Woodstock bud vase. Part of our Seconds Collection.

A familiar form made by hand with real intention.

A complete reinterpretation of the martini glass.

Golden Ratio proportions, made for everyday use.

Three flames, one vessel. The light multiplies.

Branches weighted down, like a tree after heavy snow.

Freehand and fluid. No two are the same.

The original Woodbury Bowl. Part of our Seconds Collection.

Swirling optic lines inspired by Vermont waterways.

The Vintner’s angled silhouette.