Curvaceous pottery taper holder with Woodstock's voluminous proportions.

Real silver leaf, encased inside the glass.

Three tealights. Three distinct handmade techniques.

Every arm and texture of a starfish, cast in glass.

The oldest object in the room, done right in glass.

Freehand and fluid. No two are the same.

Reusable stainless cocktail picks, presented in their own box.

Freehand and fluid. No two are the same.

Straight sides, modern foot, four sizes to scale.

Four stitched leather coasters in a mirror-polished stainless case.

Squared pottery taper holder in Cloud glaze.

Fluted glass that does something to candlelight.

Clean-lined Ascutney hurricane. Part of our Seconds Collection.

Fluted glass that does something to candlelight.

Straight sides, modern foot, four sizes to scale.

A snow-globe glow from white speckles worked by hand.

Fluted glass that does something to candlelight.

Polished metal taper holder with Woodstock's generous proportions.

Details frozen in winter, flowing in summer.

Smooth alabaster tealight, made by stonecutters in India.

Straight sides, modern foot, four sizes to scale.

Details frozen in winter, flowing in summer.

Freehand and fluid. No two are the same.

Stacked glass spheres, each size one taller than the last.

Polished stainless flatware with a classic squared handle end.

A hand-applied twist that catches light from every angle.

A heart with a slight twist. More life than the usual form.

Hammered stainless steel with blackened twisted handles inspired by New England blacksmithing.

A crystalline glaze that grows its own pattern in the kiln.

Cubed bell design. Ends each burn with a little ceremony.

Twisted Ascutney hurricane. Part of our Seconds Collection.

Double-gathered glass that moves like water when lit.

Every arm and texture of a starfish, cast in glass.

Hand-forged stainless flatware with hammered handles, inspired by Woodbury.

Two martini glasses and a shaker. The whole ritual.