Concentric swirls worked into the glass by centrifugal force.

The double-gathered optic effect, at an intimate scale.

Twisted beeswax tapers, hand-poured in the Catskill foothills.

A fine bubble texture, shifting with every flicker.

Details frozen in winter, flowing in summer.

A flared rim inspired by Paul Revere’s silver bowl.

Wider proportions that work for candles or a trifle.

A flared rim inspired by Paul Revere’s silver bowl.

Substantial, refined, made by two glassblowers in tandem.

Real silver leaf, encased inside the glass.

Three flames, one vessel. The light multiplies.

Globe-and-stem glass dome on a hand-turned cherry wood base.

Golden Ratio proportions in a stemmed hurricane. Two ivory candles included.

Lifts the wine's nose and invites conversation.

The Ascutney silhouette twisted mid-process, catching light from every angle.

Details frozen in winter, flowing in summer.

A flared rim inspired by Paul Revere’s silver bowl.

A shell spiral, hand-sculpted and cast into glass.

Straight sides, modern foot, four sizes to scale.

Squared pottery taper holder in Cloud glaze.

A fine bubble texture, shifting with every flicker.

A treeline etched onto a cylindrical hurricane. Candle included.

Nine fused handblown pieces that refract their own light. Part of our Seconds Collection.

Freehand and fluid. No two are the same.

Freehand and fluid. No two are the same.

Two-billion-year-old Carelian soapstone matchstick holder from Finland.

A traditional champagne setup, done properly in glass.

A hand-applied twist that catches light from every angle.

Fluted glass that does something to candlelight.

Handblown glass globe in a metal base shaped like Vermont's highest peak.

Smooth alabaster tealight, made by stonecutters in India.

Lifts the wine's nose and invites conversation.

A surface that makes light play, not just pass through.

Fluted glass that does something to candlelight.

Fluted glass that does something to candlelight.